Rachael

You know what I love most about a Cocoknits pattern? How wearable her clothes are. I've seen women trying on her trunk shows, and her sweaters flatter so many body types. I actually saw this on Julie and although it's not typically my style, I knew I had to have one. 

And I love it. 

I was super careless making this. I made most of it poolside in LA and finished it at Outsidelands in Golden Gate Park, and there are dropped stitches (whoops!) and strange decreases, and the front is longer than the back (or maybe that's the back… Hmm). And it still looks great. (I made it in Shibui Knits Heichi, wonderful heavy silk.) Super easy pattern with interesting construction. Good summer knit. 

Cocoknits page here, Rav link here.

I'm a bit pensive tonight, having spent the last few hours going through things of my mother's. She died four years ago, but sometimes it aches like it was just a few weeks ago, and other times it's still impossible that it's true. How can a mother just go away? It's unthinkable. Unbearable. 

And then you think it, and you bear it. 

This past weekend, while Lala and I were camping in Bodega Bay, my sisters went south to go through some boxes that had somehow been overlooked when we tried to go through Mom's things four years ago. It turns out there were a lot of boxes. 

Guess what they found? 

The sweater I made her. 

The sweater I wrote an entire essay about in my book, A Life in Stitches. I wondered about lost things in that chapter–how a mother devoted to losing nothing could lose something I knew she cherished, the sweater I'd made for her from wool from Ashburton, New Zealand, her hometown. 

Seen tonight on our dining table

Yeah. She didn't lose it. It was packed away. She died in June; she'd probably packed it with her other winter woolens in April or so. Twice a year, she went through her closet and packed up the out-of-season wear, putting it in the garage to wait for the appropriate heat/cold to roll around again. How could I have not thought of that? She loved routines. Lists. File folders. (I spent this afternoon writing out a massive, thorough camping checklist which made me giddy.) 

My sisters also brought some more of her writing to me. We shared that, Mom and I. Both of us wanted to be writers so badly and we both achieved that dream. In fact, before either of us were published, she took me to my first writing conference at Cuesta Community College in San Luis Obispo. We went to the same classes, and both of us took detailed notes that we saved. We ate lunch in the cafeteria and goggled at the published writers (she was more suave than I was, having met many of the local authors through her bookstore jobs).

And tonight, sitting with her papers, I found her most authentic voice, the one I've been looking for for years now. It was in a surprising place. She published dozens of articles and wrote a newspaper column for years. Every time I'd read a piece, I'd start with hope and then begin skimming, hoping for the meat. The feeling. The fear, the joy, the loss, the confusion, the happiness. 

Instead, Mom wrote like a journalist. Everything was beautifully well-written and impeccably well-researched. When asked to present a speech on her most recent trip to New Zealand to the Arroyo Grande Ladies' Club, she prepared a talk on the history of the islands (not on what I hoped I'd find: how she felt about seeing her own mother's grave for the first time). When she wrote about going through Super-Typhoon Kim, she discussed how to dry books on a lawn after a 200+ mph typhoon, not how it felt to live through something that hadn't happened in more than 500 years. 

Then I opened her file folder from the creative writing class she took a few years before she died. And I found her there. 

In the in-class, handwritten, uncompleted essays, I found my little mama. She started an essay about the typhoon by saying she "was as frightened as I've ever been in my life." She remembered giggling with her friend Helen in the forties as her father drove them to the beach, a once-a-year delight. In an essay about her daughters' high school graduations, it's what she doesn't say that's telling. She starts to write how she was a bit more teary when her second daughter Christy crossed the podium–but then she stops and veers to a description of how girls in heels totter on the grassy football field. She automatically self-censors something that might be wrong to share (but it's okay, Mom! Christy was valedictorian in a school of 2,000! We were all more teary that day, as we should have been). 

It makes me think about my own writing. No one would ever accuse me of not sharing my feelings. It's possible I share them too much. But in the same way she kept to herself, because it was what made her feel good, I run here to the blog, or to my journal, to drop my feelings all over the place because it's what makes me feel whole. 

Feelings like: I've been blue, and I think it's the hormones (or lack thereof). Running has been helping, and I'm exercising every single day, and monitoring my moods as best I can. See how easy that is for me to tell you? Although my menopause is surgical and not natural, I don't know how my mother's was, because I never asked her and she didn't volunteer things like that. (Ladies, if you can, call your mothers. Ask.) I don't know if she felt blue, and I don't know if she had terrible hot flashes or not. Did she lose sleep? Did her migraines stop? Not knowing makes me sad, which is exactly what I'm trying to crawl out of, and THERE I DID IT AGAIN with the telling you about how I feel. 

But that's what we want, right? As people? We want to know how others feel because we're all basically selfish at the core, and we want to compare those feelings to our own and then talk (or not talk!) about them. 

In the back of that class's binder, I found a complete, typed essay for the class on how my middle name was almost Shea, after the dump-truck driver who helped my father make sure she was safely out of the Corvair they'd been trapped inside during a flood (my mother, full-term with me, couldn't get out the window as my father had done). A helicopter (the dump truck's boss) followed them overhead as they walked home, to make sure they got there safely. 

I loved that essay. And then I noticed its title, and I pretty much came undone. 

"Happiness." 

She might not have talked much about emotion, but when she did,  it packed a punch. That's another kind of writing power, one I could learn from, I think. 

Clementine, almost home from camping. Another kind of happy.

*By the way, I'm teaching three classes at that same writer's conference down south at Cuesta College in September. That is just…that is just amazing. And that is all. 

to green/brown milkshakes. And I don't mean chocolate. Or milk, for that matter. I was out of town for five days, and I missed this every single day. That's weird to admit, but true. 

Dear reader Lynn put me on to these, the Green Monsters, and I'm HOOKED. I tell you what, they are delicious (honest), do NOT taste like spinach, and they are so, so satisfying. You know how when you order a milkshake, hoping that it will be thick and creamy and heavy and perfect, but instead it's airy and thin and unsatisfying? This tastes like I've always wanted a milkshake to taste, only healthy. 

(See, I've been eating so well — yay! I feel great! — but I'm bored of thinking about cooking all the time. Eggs for breakfast, almonds/fruit for snack, this shake for insta-lunch, and THEN I'm happy to think about a nice, home-cooked dinner.) 

There are a ton of recipes on that page up there, but I thought I'd share the one I've been making with you. It's amazing. 

Rachael's Green Monster

(Add ingredients in order, so the spinach doesn't fly around)

2 cups fresh spinach (that's about two handfuls, in my estimation. I fill half our blender), 2 tbs almond butter or sunflower seed butter (tastes like a PB shake!), 1 banana, 1 cup coconut milk(the drinking kind, not the canned kind) (or almond, soy, rice, regular milk, apple juice — I like coconut milk for the fat content and flavor, add more liquid if you want it thinner). Blend these for a while, then add about a cup of frozen berries (add frozen mango for even more sweetness, or pineapple for fun!). Blend a minute or two longer, and ENJOY. (Oh! I keep forgetting to add ginger. That would be good.) 

It looks funny. Yes, it does. But it tastes so good! And makes you feel great! I promise! 

First things first: the winner of last post's draw was Louisa S! Congrats, and you've been notified by email. Thanks for playing, all! 

Second, I made a sewing area! We have a front porch that has been used for storage, and it was TRASHED. I realized that my dream of actually having a place to sew could be realized on the cheap. The machine table was nineteen bucks from Ikea, the chair fifteen, and I put our two card tables together to form a cutting area (the second table is up on blocks, decks of cards, to make it exactly the same height as the other table. It works. It's awesome. 

And I just made a dress! The Rita dress that I was talking about! Pictures don't do this justice because it is as sparkly as a dress can be. It cost about eight dollars (sale fabric!), and it either looks VERY expensive or VERY tacky, and I'm not sure which is true. Don't care, though, 'cause I feel like a million bucks in it. 

Adah, self-petting

Some sparkle, closer to what it looks like: 

Except multiply the sparkle times a thousand. Oh, the fun! Whee! (Also, I'm knitting, I promise.) 

Storey Publishing does it again. Cast On Bind Off is a lovely little book by Leslie Ann Bestor, 215 pages of nothing but interesting (and useful!) cast ons and bind offs. 

Me? I use two cast ons: long-tail and crocheted (when it calls for a provisional cast on) and I use one bind off, the old fashioned kind, knit 2, slip one over. I've used more, but only when they're printed in the pattern, you know? I love Elizabeth Zimmerman's sewn bind-off for socks, but I always have to look it up. 

This cute little tome, though, now lives in my house, ready for reference. 

You can have a shot at owning one, too, by leaving a comment. Tell me your favorite method, or heck, if you're not sure, just tell me how your day is going! WINNER DRAWN!

More chances can be had by visiting the other blogs on her tour: 

7/30       The Knit Girllls

 WINNER DRAWN! Thanks for playing. 

I swear this won't become a sewing blog, but I got a SERGER for my birthday from Lala. (What's a serger? It's an overlock sewing machine that cuts, sews, and finishes an edge all at once. If you look at the seams of a t-shirt or sweatshirt, that's what serging looks like. It's pretty awesome.)

Digit, serger, and my new shirt, "My Cat is Famous on the Internet." Because he is, you know.

So, I got the serger for my birthday. It took me a full WEEK to find the bravery to take it out of the box. I was very excited and equally terrified. 

I've wanted a serger since I was about eighteen, when my best friend's mother used one for creating huge gorgeous hoop-skirted dresses for the Harvest Festival. She would curse and swear at it when it got tangled (which was often), and my fear was forever cemented, along with my awe. 

(I got this one. Doesn't it look terrifying? You should see the inside!)

I girded my loins. I read the whole book first. Then, when I was thoroughly confused, I sat down and tried to sew (it comes pre-threaded). However, two threads were tangled in the pre-threading, and I ended up with this disaster (that's a chaotic bloody tangle there, if you can't quite tell). I started swearing at the machine about two minutes after I first touched it. 

Then I had to learn to thread it, damn it (there's a method where you tie on new threads and pull them through, so once it's threaded you don't have to do it again — I didn't get that luxury). 

I learned. I threaded. I sewed. I squealed in glee. It's so FAST! (About 1600 st/minute as opposed to a normal machine's 400). It's so FUN! 

I immediately got out one of my favorite knit dresses which has had holes at the waist for a while because I can't be bothered to sew anything by hand. Zip zip! Fixed! And hey, it was such a great dress that I decided to copy it. (Copying clothes is my new favorite thing, yo. Just Google rub-off patterns — it's EASY. Lay the dress down on paper, trace away, make a pattern, make a muslin, adjust for a while, Bob's your uncle. It's soooo much easier than following a standard pattern, and you're copying something you already know fits.) 

So I made a muslin (a mock-up) of the dress in a black rayon I got on sale at Stonemountain & Daughter, and I ended up with something Angelina Jolie would have blushed to wear to the Oscars. The vee was slit past my navel. I couldn't have worn it to the kitchen. 

But you know what? I just cut off the whole waist seam, rejiggered the bodice, and resewed it. Knit fabrics are so FORGIVING! I was getting closer. And when I added the sleeves and tried it on for the thirtieth time (sewing involves a lot of nudity, yo), it was actually wearable! 

I made it in a couple of hours (!) and wore it to two parties that night (and yes, told anyone who would listen that I'd made it, with a twirl for effect). 

I've been working pretty much ever since (120 hours this week) but next week, starting on Sunday, I have eleven days off in a row (vacation! RWA National in LA!), and I'm going to sew the hell out of a couple of those days. There's a big fancy awards night function called the RITAs (the Oscars of the romance writing world) and attendees always dress to the nines. I have a fantasy of whipping up something pretty out of red sparkly fabric and wearing it to the big night along with fabulously high heels.

I'm no Angelina Jolie, but I'll strike a leg pose iffen I have to.