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Rachael Herron

(R.H. Herron)

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Archives for May 2021

Ep. 226: What’s a Hybrid Press and What Should I Watch Out For?

May 17, 2021

In this episode, Rachael dives deeply into hybrid presses. What’s the difference between them and assisted self-publishing? Or vanity presses? How can you tell the difference, and most importantly, how can you protect yourself from being scammed? 

How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you’ll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. 

Join Rachael’s Slack channel, Onward Writers: https://join.slack.com/t/onwardwriters/shared_invite/zt-7a3gorfm-C15cTKh_47CEdWIBW~RKwg

Links: 

Hybrid Publishing criteria: https://www.ibpa-online.org/page/hybridpublisher

Jane Friedman: https://www.janefriedman.com/evaluate-small-publisher/

Transcript:

Rachael Herron: [00:00:00] Welcome to “How do you Write?” I’m your host, Rachael Herron. On this podcast, I talk to authors about how they write, what their process is and how their lives fit together. I’ll keep each episode short so you can get back to writing.

[00:00:16] Well, Hello writers! Welcome to episode #226 of “How do you Write?” I’m Rachael Herron. This is a mini episode and it is about Hybrid Presses. So welcome to this. This is one of those questions that I get asked over and over again by students, they’ll come to me and say, I found this, this publishing house, this small press. Do you think they’re reputable? They call themselves a hybrid press. I love to get this question because I get so angry at predatory practices within publishing. So let’s talk about what you should look out for and how you can test what you are finding out there when you are looking for presses to publish your work, when you are looking for places to submit your work to. So let’s start at the very top. We’re going to start talking about this hierarchically, which is not that easy to say.

[00:01:12] So in publishing, we have traditional publishers and what is a traditional publisher? A traditional publisher is someone who buys your book from you. You signed a contract, giving them certain rights. They then edit, copyedit it, make the cover, do the press, do the marketing as much as they can. We know that traditional publishers struggle with this as much as we do as authors, but with a traditional publisher, there’s never going to be a charge for you. They will only pay you either in advance or in royalties, hopefully both. But there’s never any charge for the author. What is a traditional publisher? A traditional publisher includes anybody in the big five, which are the big five New York traditional publishers left soon to be the big four since Penguin Random House just bought Simon and Schuster. So all of their hundreds of imprints that those four big, the big four have, they have hundreds of imprints and they publish about a hundred thousand books a year in the States total. They are the big, ones. The biggies, you cannot normally there are sometimes a couple of exceptions, but you cannot get a traditional publishing deal without an agent. You must have an agent. They do not accept un-agented manuscripts in the big four or the big five wherever we are when you’re listening to this. Also falling under the umbrella of a traditional publishers are small presses. They are still traditional publishers because you don’t pay them anything. They buy rights to your book and they pay you in advance and royalties. They are like Grey Wolf or 10 House Press or Catapult. You can Google what the best small presses are. It’s a little bit confusing cause words are always changing in and around publishing small presses also used to be known as, or small publishers also used to be known as independent publishers, independent presses.

[00:03:22] However, a lot of the time now, when we say independent publisher, we’re talking about self-publishing. So a more common term for these smaller publishers is either small publisher or small press and they are legit and they do a great job purchasing the rights and then doing the best with those rights to produce beautiful books that are then distributed and marketed in physical format into bookstores. That is what traditional publishing does. It helps your book become its best by using the best people to help you. And then it is distributed into brick and mortar stores, traditional publishing that’s the model. Then we come into some other ideas. We have self-publishing, also known as indie publishing, which is where you do it all yourself. You write the book, you hire an editor, you hire a copy editor, you hire a proofreader, you hire a cover designer. You must hire all of those things out. I mean, you don’t have to. You can do whatever you want, but it’s generally safer. You will get better reviews and better sales. If you make your book the best product it can be. Then there are these confusing places. And these, this is what I’m really talking about today. This is, these are where I get these emails from students or from listeners to the show saying, is this legit? Is this legit? Obviously a vanity press is not legit. In vanity press is anyone who says, you give us your money and we will produce your book for you. There’s- in a vanity press, there’s not even a nod toward quality or editing. There’s no nod toward marketing. It is just a scam to get your money. They are not making money from selling books. They are making money from you, the author paying them. Honestly, if you’re writing one book that you want, your three grandkids to read, perhaps a vanity press would be for you, you get the copies of your books. They can give them to you, three grandkids you’re done, but otherwise they are for no one. They are a scam. 

[Read more…] about Ep. 226: What’s a Hybrid Press and What Should I Watch Out For?

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Ep. 225: What Do You Actually MEAN When You Say to Write Fast and Badly?

May 17, 2021

In this episode, Rachael Herron answers questions from her Patreon supporters. What does a crappy draft actually look like, for real? Also, we talk about making sure stories move forward in a real way when constrained by historical facts, how to incorporate beta reader feedback if it’s all over the place, and why we flip away from our manuscripts when we’re “thinking” about them. 

How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you’ll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. 

Join Rachael’s Slack channel, Onward Writers!

Go HERE to see Rachel Lynn Solomon’s awesome example of writing quickly looks like (Rachael’s drafts look exactly like this!) Swipe to the second picture to see.

Transcript:

Rachael Herron: [00:00:00] Welcome to “How do you Write?” I’m your host, Rachael Herron. On this podcast, I talk to authors about how they write, what their process is and how their lives fit together. I’ll keep each episode short so you can get back to writing.

[00:00:16] Well, Hello writers! Welcome to episode # 225 of “How do you Write?” I’m Rachael Herron. I am thrilled you are here today. Today is a cool question and answer podcast from the questions that you have left me over at patreon.com/Rachael at the $5 a month level. You get not only all the essays, but the access to ask me any questions you have about anything particularly writing. Mostly we talk about writing, but if you don’t, feel free to ask me anything. So I’ve got a bunch of really good ones here, and I hope that they help you out. Just a quick update since this is the week’s episode, we had a shitty week. Lost our dog Clementine, who was really a dog of our heart. Aren’t all dogs? But this one was really, really special. If you want to see how beautiful she is, you can go to RachaelHerron.com/Clementine  

[00:01:13] I did a little bit of a remembrance of her as I usually do when we lose our animals. But this one was a really hard, y’all really hard. I feel like my grief around Clementine is bigger than just losing our old sick dog who was on hospice, pet hospice was the best she was on it for about six months. She came off of it a few times. She was doing so well and to have them come to our house and put her down in a slow, gentle manner where she was completely comfortable, it was really everything. But the grief around her, it’s just holding a lot more than grief around just Clementine. I feel like I’m grieving all the old animals that I’ve lost and all the mothers that my wife and I have lost and the people that we have lost and 2020, and also Clementine. And this is going to sound weird, and I don’t know how to explain this. I’ll just say it. We were not making concrete goals, concrete plans to get to New Zealand until Clementine died. And I know that sounds awful, but we weren’t willing to go without her. And she couldn’t make the trip. She’s just too old and she was too precious for us to leave.

[00:02:26] So, on Friday, I think it was Friday or Saturday. It must’ve been Friday. Lala got her visa, so we can go to New Zealand and on this visa, we have to go by August 19th. Which is six months from date of issuance. Oh my God. We were told by immigration that we would have a year to enter after she got her work visa on her way to getting her permanent resident visa. But this has happened a couple of times with immigration in New Zealand, they were fantastic. They answer all your questions, but they don’t always answer them the same way. So that one year was wrong. And we got to get out in six months if we want to hit this visa, which I think we think we do. So that was on Friday. And then Sunday Clementine died. All hindrances are out of the way. And so grieving Clem, Oh, I’m feeling getting choked up. Grieving Clementine is also like this precursor to grieving the loss of our life here in the States, which is normal. I know we’re going to grieve the people that were leaving and the house we’ve lived in for 15 years and our way of life. And we are moving with such excitement into this new world, but, so it’s like I’m saying the loss of combination has just been something for me that has been difficult to handle and I’m moving through it at my own pace and actually letting myself grieve and feel feelings. I’m not good at that, but I am getting better at it. I have to say.

[00:03:52] So that’s what’s been going on around here. A little bit of writing been happening. Not a lot. I took Monday off, which is my fiction writing day, just to cry and I cried all day and it helped. So other than that, everything’s going as well as it can be. I’m swimming again. And that’s amazing. I managed to get, I’ve found a place where the swimming pools open and it’s an Alameda and it’s on the estuary and you can look out into the estuary right across the Bay and actually see the lights of San Francisco. When you swim at night, it is so incredibly beautiful and affordable, and I’ve been swimming three times a week and it is the best thing I can do for my mental health right now is swimming. I can’t believe that I went a year without doing it regularly. I’m a late to swimming swimmer. I only learned really to swim about two and a half, three years ago. When I took lessons as an adult, I always knew how to swim. I could get to shore if I need to do, but I didn’t know how to do it efficiently and gracefully. And I swear to God last night as I was swimming was the very first time that I felt like I got the grace and the efficiency and it was just easy. And I, you know, it’s not because I’m terribly fit, but it’s because I know how to move with ease and grace through the water now because somebody taught me and it just reminds me that as adults, we have this amazing ability to keep learning, to do the things we wanna do, so if there’s something that you’ve been scared of doing, God knows I was terrified of taking swimming lessons, but it has paid off in such a huge way. And now that is my bomb. Being in that place, being in water is where I feel the best. So I just wanted to mention that that’s enough of an update.

[00:05:33] Let’s jump into questions. This is from Michelle. Hi Michelle! I have a new question, it’s process-related. Sometimes when I’m editing, I feel the need to flip to a new screen or look at my email or something while I think about the editor’s comment and how to do what she’s asking, which is what I’m doing right now, and I am I just telling myself that because I want, am I just telling myself that, because I want to distract myself or is this a real need in order to process information? This is an awesome, multi-sided deep question, Michelle, and I’m really glad that you are asking it. We all feel this way and it’s a case of it’s going to be one thing or the other. It is a case of your editor’s comment is telling you to do something that you don’t want to do or that you don’t yet know how to do, and that makes you uncomfortable. And therefore, I’m going to look at my keyboard here, on a Mac, if you hit command tab, you’re toggling, you’re toggling over to your email. You’re toggling to Twitter. You’re toggling to anything that is open on your desktop. I do that as soon as I hit a patch of I don’t even know what this next sentence should be. I tend to hit command tab. I have to look at it every time because I do it so frequently. I have no idea what I’m actually doing, and I can flip flop around all the screens that are open on my computer. I’m sure there’s a way to do that on a PC as well. So I do that in moments of discomfort. Therefore, when I’m really focused on writing, and when I am writing, this is what I do. I close every other window. So I do toggle, I toggle and I can’t get anywhere. There’s nothing else open. And so I’m just left, staring at my computer.

[Read more…] about Ep. 225: What Do You Actually MEAN When You Say to Write Fast and Badly?

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